French 1841-1895 Berthe Morisot Galleries Berthe Morisot (January 14, 1841 ?C March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters. In 1864, she exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government, and judged by academicians, the Salon was the official, annual exhibition of the Acad??mie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions, which included Paul C??zanne, Edgar Degas, Claude Monet, Morisot, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley. It was held at the studio of the photographer Nadar. She became the sister-in-law of her friend and colleague, Édouard Manet, when she married his brother, Eugene.   Related Paintings of Berthe Morisot :. | Seaside villa | Hide and seek | Summer day | The Butterfly Chase | Young Girl with Cage |
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Amalia Lindegren
(22 May 1814 in Stockholm, died 27 December 1891 in Stockholm, was a Swedish artist and painter, from 1856 a member of the Royal Swedish Academy of Arts. At the age of three, she was left an orphan after her mothers death and adopted by the widow of her alleged biological father, Benjamin Sandel. Her position as a child was somewhat humiliating, as a form of charity object for the upper classes, and in her later work, her paintings of sad little girls is believed to be inspired by her childhood. Her drawings made the artist and art teacher Carl Gustaf Qvarnström include her as one of the four women accepted as students at the academy in 1849, and in 1850, she became the first woman given an art scholarship from the academy to study art in Paris, which she did at the studies of Coignet and Tissier; she also studied in D??sseldorf and Menich before she returned to Sweden in 1856, were she was elected to the academy
wilhelm von gegerfelt
född 9 november 1844 i Göteborg, död 1920, målare, son till arkitekten Victor von Gegerfelt. von Gegerfelt studerade 1861-63 vid konstakademien i Köpenhamn, 1864-67 vid akademien i Stockholm och 1867-72 i D??sseldorf, varefter han överflyttade till Paris. Där arbetade han sig till en helt ny teknik och blev jämte Alfred Wahlberg den förste svenske representanten för det moderna stämningslandskapet. Han gjorde studieresor till Frankrikes nordkust, till hemlandet och till Italien, målade skymning över Venedigs kajer, månsken över lagunerna, kritklippor vid Engelska kanalen i gråstämning, svenska sommarnätter, allt med elegant pensel, smekande färg och livligt föredrag. Gegerfelt är representerad på Nationalmuseum av Stormen (akvarell, motiv från Dalarna, inköpt 1886) och Strand på Hallands Väderö (i olja, 1893) samt på Göteborgs konstmuseum av Strandgata i Venezia (1884), oljemålningen Vinterafton på Hallands Väderö (1893) samt akvarellen Fjällbacka.
STRIGEL, Bernhard
German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.